Ron Aniello is somebody I have worked with before, so he hired me to come and play on some stuff. I had seen her play live when she opened for Sarah McLachlan in Los Angeles. This is going back to her second album. We spent two hours on the phone with Leisz, and just barely scratched the surface of his life and career. That band was really the brainchild of this guy named Richard Stekol, who was one third of the songwriting triumvirate of that band. How did you feel when you first heard the record and realized theyd used that much of your work? Not to be pigeonholed in just roots music, Leisz (pronounced "Lees") has also played with the likes of Beck, Matthew Sweet, Bad Religion, the Smashing Pumpkins, and Brian Wilson. This is a great album all around, with world class musicianship. Lap Steel. I guess they could have learned it from the version we did. She didnt want a lot of guitar parts. Brian didnt think that was a great idea. Here, these artists tell their complete stories, giving an up-close look at life on musics A list. But I love that record. Leisz has an amazing ability to generate sounds that the pedal steel isnt usually associated with. I can teach myself.. Thats another crazy story. Email admin@steelguitarforum.com for technical support. All are renowned in the business, but some are less well known to the general public. She wanted something focused on every song. And when she was young, she actually sang in a Broadway musical and light opera in the mid-Forties, during the war. Pearl Jam have played that song countless times. When I look at Discogs and AllMusic, I go, I forgot about this record and that record But for me, its the breadth of the stuff that Im most proud of, not necessarily the number.. Adding distortion to the lap steel, Leisz gives so much personality to this Bruce Springsteen track. Ron called me and said, I just want you to know I used your pedal steel in this Jeep commercial. They are Swedish musicians, but I knew some of the same people that they did. Gretsch Custom Shop Tour. By that time, I had been in some bands and the bands had broken up. And now Im going, There is something here . Well, thats a good question. Leisz has been a top-call session musician in the L.A. area for many years, so its no wonder he got the call to do work on this production with such fantastic artists. I wanted to figure out how to make those sounds. It can help with memorizing note names/positions, locating pockets, learningkey signatures, and more. I have to go back pretty far. K D Lang's "Ingenue" album has superb playing by Greg Leize. On her album Watershed, the track 'Once in a While' is a beautiful example of refined, tasteful and subtle playing. I was also on Where Have All the Cowboys Gone, which was pretty big too. That was great, for me. In 1975, he toured with John Stewart (formerly of The Kingston Trio). More recently, you worked with Phoebe Bridgers. Hes credited with playing 12-string too. I didnt know it was Eric Clapton. How has your pandemic year gone? We were both sitting there with acoustic guitars and I play a little on this song. Blues and Rock players tend to favor one of two tuning families: open G/open A, or open D/open E. No matter who I play with, I try to integrate what Im doing with what Im hearing. It is always a pleasure to hear Leiszs playing. Going back here, can you talk about playing with the Smashing Pumpkins on Mellon Collie and the Infinite Sadness? Every one of the past 30 years has been that busy in the studio, and hes still found time to tour with the likes of Joni Mitchell, Jackson Browne, Eric Clapton, K.D. It was something I really liked to do and I started doing it a lot. They just took pieces of it and moved it around. Maybe we can have that guy in the band. This page contains affiliate links. There are so many great recordings with him playing, and listeners have plenty to treat themselves to. I already knew it and I came out of the Sixties and had a folkie background and could understand that stuff. I found out the day before the Super Bowl. I was like, Thats an unusual thing, to play on two different Albums of the Year two years in a row. Not only that, the year that Daft Punk won, I played at the Grammys. "Legends of the Incredible Lap Steel". Tony Berg is a producer Ive worked with quite a bit. The last plane flight I was on, I went to New York at the beginning of last February. Do whatever you want to do.. When I heard electric guitar on records, I wanted to play that. I spent a lot of hours in country bars learning how to play, but my musical background has always been very wide. We hadnt even learned many songs when we got our record deal, and Arista, Clive Davis, signed the band. 6.9K views 1 year ago On this Greg Leisz interview, how playing with artists like Dave Alvin, k.d. Like what? Her original version was more what she was doing at the time. Jim Scott ended up mixing that album. Were all surgeons, the guys in the band. It was just four or five hours. Rather, it is usually tuned to an open chord, often an extended chord like a 6th, 7th, or 9th. And my wife and I spend a lot of time together during the pandemic since were both musicians. Thats another one of those random things. Youre on the James Iha track Take Me Down. [Laughs] Yes, but Im used to being intimidated by people in the music business. I went in and played a couple of songs with him live in the studio with a full band. s-10 sierra crown gearless 3 x4 - Regal RD45 - fender hotrod deluxe. I dont know who actually made it. I did a little bit of that. It doesnt always work. In the late Sixties when a lot of people were listening to harder rock, Led Zeppelin and things, I was listening to Jimmie Rodgers, old country music like Hank Williams, bluegrass music, and I was learning how to play that music, and I was learning with other musicians that were kind of turned on to that. I guess I feel very fortunate when I see that, but its just hard to believe theres so many. Thats someone I met many years earlier when he played in Ace in the Seventies. Why am I going there? I had no idea. That was the first time I worked with him. Hes the one that knew me. lang's Grammy-winning Absolute Torch and Twang and joined her on the resulting tour. Greg Leisz - pedal steel, lap steel, National steel guitar, Scheerhorn resonator guitar, mandolin Ron Miles - trumpet Billy Drewes - alto saxophone David Piltch - bass Kenny Wolleson - drums, percussion Curtis Fowlkes - trombone. He spent time at the Ashgrove, the Troubador, and clubs on the Sunset Strip . Oops, looks like you forgot something. There was some kind of a connection made. If someone asked me for my phone number, Id gladly give it to them and write it on a piece of paper. No. The 500 Greatest Songs of All Time Or does he switch necks often? And the Japanese version has a bonus track thats almost a pedal-steel instrumental. I think she had an idea of how she wanted to do it. Pedal Steel Guitar: Why Its So Hard To Play, Pedal Steel Guitar WEIGHT (Lighter vs. I was going, Oh, shit. He showed me the song [River Runs Deep] and pulled out an acoustic guitar. We met the day I got the studio. That was enormous, yeah. Im not going to try and edit what you do.. http://archive.guitarplayer.com/archive/artists/frisell.shtml. And it was the first time I remember going to somebodys house to record. My friend Brian Blade played drums on it. As well as Ryan Adams "Ashes & Fire", he is on a few tracks. He has played on so many noteworthy productions, with so many great artists, that to say he has been influential in modern music is probably an understatement. Any kind of musical style or production can probably be enhanced one way or another with a touch of Leiszs pedal steel, and this track is no exception. We just did a video of whats going to be his next single. When we ended up playing together, it was kind of fun even though he barely remembered me. It wasnt much. Ive worked a lot with him. This song is a great example of how tasteful Leiszs playing can be. Playpedalsteel.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. It was amazing to be onstage with him every night. Leiszs tone is crystal clear on this one, and is captivating. His idea was to have her do this thing with Civil Wars where they sang together. He heard my pedal steel and thought that was something that Joni would embrace in her music. He was inspired to pick up the pedal steel after hearing Sneaky Pete Kleinow and Buddy Emmons. Includes a bonus section of over a hundred pages of extra chord charts, key references, and more! This is an invaluable ability for sessions, where the musician often has to hear and learn the music on the spot for the recording. They had the chorus. He's on all of them.. produced by Lee Townsend recording and mixing engineer: Judy Clapp. Eventually, when I finally got one, I had friends that I could play along with. Gretsch Custom Shop Tour. Feb 12, 2008. Around the 1:32 mark, Leiszs beautiful harmonics grace the listener in the higher frequencies. It really wasnt like I saw the Beatles on TV and said, I want to be like them. I never really did that. It is in near mint condition and comes with a custom deluxe Cedar Creek hardshell case. Greg Leisz: Lap Steel Craig Schumacher: Synth Bass John Convertino: Drums, Thunder Drum Brian Lopez: Backing Vocal 3. It was a natural fit with a lot of people. Lovely conversation with this music legend. An example of data being processed may be a unique identifier stored in a cookie. It was Steve Gadd and [organist] Walt Richmond and Doyle and Eric. We got a record deal because of Jack Tempchins past of writing songs for the Eagles on their early records. He had Phoebe come in and be in the video. It was really close in time to after her record came out. Thats another situation where I wasnt involved in the tracking. They did all that stuff in Nashville. Its insane. Steve Earle had taken over from her ex-guitar player [Gurf Morlix], who left the band during the sessions. lang, adding pedal steel to this Grammy-winning album. Tabs that display the major scale harmonized in sixthsthese pockets or positions on the fretboard are great to utilize when playing. Editors picks Starting in 1986 or so, your credits list gets insane pretty quick. Larry Klein bought me onto Turbulent Indigo. How Do the Pedals and Knee Levers Work on a Pedal Steel? Every instrument and musical note seems to fall right in place, with great sounding timbres, and Leiszs pedal steel is no different. He plays guitar, dobro, mandolin, lap steel and pedal steel guitar Diagrams that display the major scale notes on the E9 fretboard. She wanted something very specific. ], [This message was edited by Bob Hoffnar on 26 November 2003 at 07:59 AM.]. I hadnt met Beck before that. Hes help put the pedal steel on the map of countless areas of music that it probably had never been before. And it came out really good. I said, Oh great. And I had to go, How do you deal with that? But thats another story. Yeah. It was just that Billy Corgan was allowing James to do one song on a double album. What sort of career did you see yourself pursuing? He tried to get a deal as a solo artist and he was told that he should get a band around him. We and our partners use cookies to Store and/or access information on a device. I had met Victoria before that. Great album. Greg Leisz Follow Artist + The word "ubiquitous" is usually placed in front of pedal steel player and guitarist Greg Leisz's name. In 2010 and 2011, Leisz toured with Ray LaMontagne as a member of his backing band, The Pariah Dogs. While Greg ranges widely stylistically, he can also play excellent straight-ahead country style, as on some of his work with Rosie Flores. In January 2008, Leisz joined the group Works Progress Administration, a band composed of Leisz, Sean Watkins (guitar), his sister Sara Watkins (fiddle), Glen Phillips (guitar, vocals), Benmont Tench (piano), Luke Bulla (fiddle), Pete Thomas (drums), and Davey Faragher (bass). He is one of my favorites. #raylamontange. On the other hand, she was always very interested in hearing what I could come up with. Eric Clapton. When I taught myself how to play the electric guitar when I was 13, 14, its a visceral thing. He decided he wanted to have that instrument in that particular band for that tour. As far as lately the latest Luncinda Williams has him on steel and guitar. Im going to make a list and send it to people. He told me the band, that he wanted Willie Weeks and Steve Jordan to be the rhythm section and Doyle and Chris Stainton. He spent time at the Ashgrove, the Troubador, and clubs on the Sunset Strip . I was basically asked to play all the guitars on the album. Lindley's style led me to Greg Leisz, my greatest inspiration. I swear to God, I said to myself, I dont know who this is texting me. I think I had to think for five or 10 minutes. Some of you may know about Gaby Moreno. They were just guys that were factory workers during the day that played country music at night. I started teaching myself how to play out of these folk-music books, which basically had songs by the Kingston Trio and Burl Ives, like On Top of Old Smokey., When I heard Tom Dooley by the Kingston Trio, that totally hit me. Im pretty proud of that. He met Jules Shear. On pedals,he plays both necks very well and he told me he's been playing a U-12 Sierra on the Bill Frisell gig.On lap,he plays a number of tunings and seems to come up with nice stuff even if it's a tuning he just made up to suit a certain song.No slouch on standard guitar either.I've been trying to get him on the forum as he's aware his name Continue with Recommended Cookies, Tabs can be a great way to reference musical patterns and learn new playing ideas on the pedal steel guitar. I cant really believe it myself. The consent submitted will only be used for data processing originating from this website. They did two version of that song. I dont think the one I play on was in Pretty Woman. All recordings used a Boss RV-5 set on hall reverb, a Fender black face Vibro-Champ amp and a Shure SM-57 mic. Four years later, I worked with her again on Taming the Tiger. This track kicks off strong with Leiszs pedal steel at the forefront. Nonesuch Records 2001 . Was this the 1998 tour with Bob Dylan and Van Morrison? He introduced Jules to Jack and vice versa. If you would like to change your settings or withdraw consent at any time, the link to do so is in our privacy policy accessible from our home page.. Diagrams that display the minor pentatonic scale notes on the E9 fretboard. The reason Im on this song [laughs] is because Jim called me and said, Im mixing this song. My wife plays bass with David Crosby. She was bringing in a lot of guitar players and people she knew to overdub on songs that already had guitars on. It won Album of the Year too. Youre on Paula Coles I Dont Want to Wait, which was an enormous song. Its called Horizon. Its probably on Spotify now. I was doing Gloria or something. So tasteful! I worked with Rose Flores from Austin Texas last year out here in NZ and Greg was all over her albums and material --- fantastic playing ! I tended to gravitate towards jobs where I didnt have to be around a lot of people. At some point, I just picked up the guitar, probably around 1962 or 1963. David Murphy (left) photographed by Richie Tyndall. He stays genuine with the instrument, while still allowing its breadth of expression to add value to each recording. Utilize the major scale on common positions of the fretboard using foot pedals. They were all getting more into roots music. Ive come full circle with him. Bob [This message was edited by Bob Hoffnar on 26 November 2003 at 07:59 AM. I overdubbed on the song. I never even listened to the Dead. Time and time again, Leisz shows that his ear is always adept to the present musical situation he finds himself in, creating in the moment. I've been teetering on the edge of diving fully into pedal steel for a while but I'm not really a country guy. Note chart for the C6 pedal steel neck. Music wasnt brought to me through older siblings or really through any older kids. I was pedal steel and lap steel and some mandolin. I am a huge fan of Greg's playing, and had the pleasure of meeting him after the show. The record came out and you cant even hear what I played. That was the first thing I did with her. Im wondering if thats something youd ever like to do.. I'm pretty new to the world of steel but I'm completely captivated by the subtle detail work Greg Leisz does on 'Bon Iver, Bon Iver.'. Ultimate Bulletin Board 5.46, Powered by Infopop www.infopop.com 2000 I sometimes just took day factory jobs in Orange County. If you have a certain kind of shy disposition, youre usually intimidated because you dont know what to say and you just hope the person that is intimidating wont be intimidating because of something that you say. August 20, 2019. How was your experience in Eric Claptons touring band in 2013? I overdubbed on that. The music started coming into my consciousness a lot more. Does he mostly play E9? I started meeting people that came out of almost the punk era in the Eighties. We want to hear it. It was very quick. Doyle said, Hes kind of interested , I met him and he was so immediately just a normal guy. This track has such a sweet groove to it, and Leisz adds just the right ambience to float with it. You did all that in a single day? The word "ubiquitous" is usually placed in front of pedal steel player and guitarist Greg Leisz's name. Greg Leisz's playing with k d lang is wonderful. T Bone has a lot of I dont want to say he delegates, but he trusts musicians to just do what he thinks theyre going to do. That was amazing. Oh, man can Greg play the steel! Up until that time, it seemed like there was always some kind of a studio you worked in. Getting paid for anything is always a pain in the neck. Honestly, though, I hardly play it as I've been really focusing on C6 (and E6). For the next eighteen years he toured with Lang and recorded with her, including her album Ingenue. By the next year, the Beatles were on Ed Sullivan. What drew you to the pedal steel? I just got contacted. If you think about that era, I was in the mid-Sixties conundrum generation where you had a generation gap and a draft. I didnt meet Taylor or either one of the people from the Civil Wars. Leisz has such a great melodic sense, and this song has it on full display. [This message was edited by Jerry Hayes on 30 November 2003 at 06:55 AM. Being a mailman was great because you had a car and you drove around and delivered mail. There can be a lot of confusion about this, that's why I stated it up front. This is a gorgeous Asher Acoustic Hawaiian Teardrop Lap Steel owned and played by Greg Leisz who had been using it for recording and touring with Jackson Browne. He felt it would be too many musicians and that it should be more stripped-down. They were different sessions and I recorded with her sitting right next to me while I overdubbed. These two have such a great melodic sense, and their instruments weave in and out of each other to create a beautiful tapestry of sound. Another funny story is that when we were in the studio, he had a banjo. Definitely check out the Sara Watkins album, he's all over it. In Southern California, kind of North of L.A., near Santa Barbara. If you take a look at the music recorded in the last 30 years, theres a good chance youll come across the name Greg Leisz. A couple of months later, a box came to my house and it had a banjo in it. I wanted to know where she wanted me to play. anyone know? This album is a seminar in playing with taste. In all the gigs we did together, he never sat at my instrument or ever let on that he was such an accomplished steel player. Hed even introduce me in the set. She set me straight and said, Im not going to tell you anything. She is known, among other things, for having written the theme song for the TV show "Parks and Rec". I actually didnt think much about a career. When I saw Greg with the Intercontinentals a few months ago, he was playing an Asher lap steel, Bob Hoffnar's Emmons push-pull, (Greg uses a PP for recordings he told us), and what I thought it was an old Rickenbacker lap in some kind of E tuning. They recorded a version of it after she got MS. That was the first Sweet Relief album. Those threads can have a huge impact on your musical journey. While Frisells guitar playing is unique and bends genres in its own right, Leisz complements this so well. Some of our partners may process your data as a part of their legitimate business interest without asking for consent. Once you get an instrument in your hand and start playing it, you go, Wow. Then you teach yourself something and youre able to do it, you can apply it, its mind-expanding. Specifications In a successful session and side-man career that's spanned over 40 years, the diversity of music Greg's played on is pretty incredible. That was kind of a cool thing. We did a spring leg and a fall leg. Lang, Matthew Sweet, Bill Frisell, Charles Lloyd & others, helped shape his career Greg. A marvelous pedal steel player, Leisz has some of the most tasteful playing and impactful tone. I saw Rosie play in San Francisco a couple years ago - she was great! She decided she wanted to take over the production of the record herself. gretsch. If it didnt have a purpose, theyd just take it out. The same thing happened when I heard pedal steel on records that I listened to. Steel guitarist Greg Leisz, who first made his name playing on Americana records from Dave Alvin, Lucinda Williams and Bonnie Raitt, has more recently been playing on progressive-jazz albums. While he was mixing, he had a conversation with her and she said, Theres a song in there called Right in Time. When we recorded it, I wanted to have a 12-string guitar go through the whole song, but they talked me out of it.. Leisz is no stranger to rock n roll, and always has the ability to add grit and bite to songs. With good reason -- the man's resum is daunting, boasting spots with Joni Mitchell, Sheryl Crow, Read Full Biography Overview Biography Discography Songs Credits Related Share on facebook twitter tumblr Credits I went to his home studio and worked with his engineer. I never really liked the Grateful Dead, and now Im in Bobs band the Wolf Brothers with Don Was. 2022 Albums Milan (Deluxe) 2022 Appears On Cardboard Wallpaper (feat. He was doing a record with her. Click HERE to hear me play Moon of Manakoora recorded on the D9th lap steel tuning, which is nothing more than dropping the 4th string on your C6th from a G note to an F#. I think that happened when she was on tour with Neil Young. Check out these 7 songs that feature Leiszs fantastic pedal steel playing. Just interested in his equipment and tunnings. Victoria played guitar and I played pedal steel on it. Pedal Steel Guitar: Why Its So Hard To Play, Pedal Steel Guitar WEIGHT (Lighter vs. Starting the early 1990s, he worked often with Matthew Sweet, played on Sweet's album Girlfriend and toured with him. Leiszs ability to add whatever a track needs always feels natural and timeless at the same time. But once I started hearing songs on the radio I liked, Id memorize them and play them on the piano. I played a lot of different kinds of guitars on that record. Facebook 0 Twitter LinkedIn 0 Reddit Tumblr. In 2013 alone, the pedal-steel guitarist played on records by Daft Punk, Eric Clapton, Kris Kristofferson, Glen Hansard, the Beach Boys, Bonnie Raitt, Billy Bragg, John Fogerty, and way too many others to mention here. Well, no. Kiley Dean Began As Britney Spears' Backup Singer. I didnt really like service jobs. His tunings include low G (D G D G B D) and a secret tuning that he uses in three different keys-one for each of three instruments. Actually, Ive been working a lot with Jackson Browne. In 1987, Leisz began working with Dave Alvin (formerly of The Blasters). I saw that she broke her guitar and David Crosby didnt like it. We were both planning on being on tour a lot. Pedal steel is a great accompanist instrument, but Leisz shows how much a simple sound can add so much depth to a piece of music. He was probably looking to do something at that same time. He met Jack Tempchin. The early Eighties must have been rough then. It sort of became an avenue to make a living by expanding my vocabulary as a guitar player. [Editors note: Leisz does, in fact, play on the Pretty Woman version of the song.]. But I played on a song with Willie Nelson, Merle Haggard, and Kris Kristofferson. I heard this, and could not get that steel guitar sound out of my head. This was a time where I met a lot of people like Victoria Williams and Lucinda Williams, Dave Alvin, Dwight Yoakam, Rosie Flores there was a bunch of people that all kind of knew each other and were playing in the same clubs in L.A. in the late Eighties. Are you vaccinated? Greg Leiszs list of credits is so incredibly long and varied that its almost hard to believe its all the work of a single person. I missed that whole era. I think I was probably at least 40 years old before I started thinking, Maybe I can keep doing this., I want to talk about a few random credits that caught my eye. But its been a crazy year, just like it has for everybody. Greg Leisz plays a Weissenborn Style 2, Style 1, and teardrop model with an original metal tailpiece (anyone seen another?). He had Flood and the other producer [Alan Moulder]. This edition features pedal-steel guitarist Greg Leisz. Its got a great honky-tonk sound, and Leisz shows how at home he feels playing pedal steel in a more traditional context too. The pedal steel has an uncanny ability to add so much to any recording, especially one that features a singer-songwriter with an acoustic guitar. greg leisz lap steel tuning | 50827 post-template-default,single,single-post,postid-50827,single-format-standard,theme-capri,qode-core-2.1.1,select-core-2.1.1,woocommerce-no-js,ajax_fade,page_not_loaded,,capri-ver-3.3, vertical_menu_with_scroll,smooth_scroll,fade_push_text_top,paspartu_enabled,woocommerce_installed,blog_installed,wpb-js .
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